Unless you’ve lived in a hole for the last 48 hours, you’ll know that the United States hosted a magnificent and rare spectacle yesterday; the first total eclipse in the region in 99 years.
As the earth went eerily still, eerily cold and so rapidly dark, the moon made its debut – obscuring the sun like a giant 8 ball blocking a cosmic snooker pocket. Glasses off, but only for a fleeting moment. The moon gave the sun its diamond ring – then, glasses back on, and all of a sudden the light returned, like the sheets being pulled from your morning slumber.
People laughed, they gasped, they screamed, and they cried. What is it about this unique and extraordinarily precise phenomena that moves us in such a way? Is it the shock to our circadian rhythm, is it our fear that the sun may not peep out the other side? I witnessed a partial eclipse in the UK in 1999, and was glued to live streams yesterday. From the other side of the world, I was hooked.
A Great Eclipse Painter
A secondary source to my eclipse inspiration came from the works of a painter I’ll admit I stumbled across by chance (thank you, News Feed!). If you haven’t heard of Howard Russell Butler, and you love art and eclipses, you’re missing out.
It’s not simply that he painted beautifully serene and emotive paintings of eclipses and other cosmic scenes, as well as landscapes. His works are beautiful in themselves, but what I find most remarkable as how he managed to plan out and sketch his eclipse paintings in 110 seconds. Once he caught his eclipse, he scribbled furiously, coming up with exceedingly complex values and mathematical symbols for the different hues of the light, the corona and the beads. All this, whilst the picture in front of him vanished.
From art to photography to fashion, weirdly ridiculous and indeed mind-numbing flat-Earth theories, eclipses have inspired us for centuries. As an artist, I see great potential in this subject, and plan to take full advantage of its publicity 🙂
I had started painting the stunning California Condor some time ago, and then, inspired to paint an eclipse, I found that the two would fit together perfectly.
Just like a total eclipse, the California Condor is a rarity, too, as one of the world’s most endangered birds, an enduring Native American symbol, brought back from near extinction by an expensive and dedicated conservation and breeding project. This magnificent bird is surviving, but by no means thriving.
I’m definitely going to work on another eclipse piece, but I’m waiting for the Muse to strike first! I have a few ideas…