Cosmic Thoughts – Starlight

“We are part of this universe; we are in this universe, but perhaps more important than both of those facts, is that the universe is in us.” Neil deGrasse Tyson

There’s something infinitely powerful about horses. If you’ve ever stood so close to one as to feel it’s snorting breath, its rippling muscles and those eagle-sharp eyes, you’ve probably felt this presence. If you’re a horse owner, leisure rider, professional horseman, then you know what this feeling is all about.

It’s somewhere between calm, yet ready to spring into life at any moment. A horse is a prey animal; so it’s every fibre is ready for action, should the need arise. The universe, to me, has this same quality; a fluid, well-oiled, perfectly synchronised machine, yet hiding something tumultuous.

Perhaps these thoughts are the reasons why I painted Tower of Starlight, but perhaps these are just the inspirations I realised after. I knew what I wanted to paint, and how I wanted to paint it.

 

final
Tower of Starlight, 100 x 60cm Oils on Canvas

 

We (roughly) know how the universe was formed, and when.

The ‘why’ is always a bit more of a mystery.

Tower of starlight
Free-falls into the mountains
And a horse seeks warmth.

Learn more about my cosmic nature paintings.

Advertisements

Cosmic Thoughts – Existence

“No man is an island,” wrote the poet John Donne. I would add: no island is an island. Nature does not exist in isolation. It’s birth, evolution and daily chimings are dependent on the greater nature beyond our planet’s fragile borders. My mind wonders to the numinous thought espoused by the science of quantum biology that mutation in the genes of life-forms on earth could have been triggered by the sun’s rays affecting the way DNA copies itself in terrestrial veins. So the random mutations that lead, through non-random ways, to our very existence, could have come from the very fingertips of our star.

Aesthetically, too, nature is wedded to the cosmos. The colours of the sky, of plants, of the sea, of the rainbow, all of them, are dictated by the cosmos that veils our planet. And I can think of no greater masterpiece than a tower of starlight in free-fall over a tundra or a great lake. All we can do is be humble and get into that ring of beauty, see what we’re made of – literally.

neighbours
Neighbours, Watercolours

You can learn more about my cosmic nature paintings here.

Cosmic Thoughts – Light

The lights we see from stars and planets emit a beautiful array of colours. But light isn’t just about illumination. Light is the very DNA of a celestial body’s chemical make-up. By using spectroscopy, astronomers can deduce what elements are present on a planet or star. Each and every element in the universe, when burned, gives off a unique set of colours. And these are the same anywhere across the vast universe. Strontium is a reddish purple. Sodium is yellow. Potassium is lilac. Copper is blue. And so on.

If you look at a rainbow, you are also looking at the chemical make-up of our own sun. Our sun is about 70% hydrogen and 28% helium – which isn’t surprising, because those two are the most common elements in the universe. And as you can imagine, for a painter, knowing that colours play such an important role in the decoding of the universe – colours are essentially the bar codes of existence – is a great inspiration. So when you look at the night sky, and you paint it, you pay very careful attention as to what each and every colour you’re using actually means.

Colour then, is the language of the universe. The phrase ‘the music of the spheres’ should be redundant – the universe is quiet, but it has some very loud colours!

Dog Galaxy Watercolour Painting
The Running Dog, Watercolours

You can learn more about my cosmic nature paintings here.

Painting Rarities

Unless you’ve lived in a hole for the last 48 hours, you’ll know that the United States hosted a magnificent and rare spectacle yesterday; the first total eclipse in the region in 99 years.

104666541-Untitled-1.720x405
The International Space Station whizzing past the sun, just before the Moon takes a bite out of it. Joel Kowsky | NASA | Getty Images

As the earth went eerily still, eerily cold and so rapidly dark, the moon made its debut – obscuring the sun like a giant 8 ball blocking a cosmic snooker pocket. Glasses off, but only for a fleeting moment. The moon gave the sun its diamond ring  – then, glasses back on, and all of a sudden the light returned, like the sheets being pulled from your morning slumber.

People laughed, they gasped, they screamed, and they cried. What is it about this unique and extraordinarily precise phenomena that moves us in such a way? Is it the shock to our circadian rhythm, is it our fear that the sun may not peep out the other side? I witnessed a partial eclipse in the UK in 1999, and was glued to live streams yesterday. From the other side of the world, I was hooked.

A Great Eclipse Painter

A secondary source to my eclipse inspiration came from the works of a painter I’ll admit I stumbled across by chance (thank you, News Feed!). If you haven’t heard of Howard Russell Butler, and you love art and eclipses, you’re missing out.

butlereclipse2-720x483
Howard Russell Butler, “Solar Eclipse” (1925), oil on canvas 

It’s not simply that he painted beautifully serene and emotive paintings of eclipses and other cosmic scenes, as well as landscapes. His works are beautiful in themselves, but what I find most remarkable as how he managed to plan out and sketch his eclipse paintings in 110 seconds. Once he caught his eclipse, he scribbled furiously, coming up with exceedingly complex values and mathematical symbols for the different hues of the light, the corona and the beads. All this, whilst the picture in front of him vanished.

Find out more about his amazing works

From art to photography to fashion, weirdly ridiculous and indeed mind-numbing flat-Earth theories, eclipses have inspired us for centuries. As an artist, I see great potential in this subject, and plan to take full advantage of its publicity 🙂

IMG_2958
Rare, Watercolours

I had started painting the stunning California Condor some time ago, and then, inspired to paint an eclipse, I found that the two would fit together perfectly.

Just like a total eclipse, the California Condor is a rarity, too, as one of the world’s most endangered birds, an enduring Native American symbol, brought back from near extinction by an expensive and dedicated conservation and breeding project. This magnificent bird is surviving, but by no means thriving.

I’m definitely going to work on another eclipse piece, but I’m waiting for the Muse to strike first! I have a few ideas…

Appreciate the rare things. Love them.

Cosmic Thoughts – Awe

Ever since I was a little girl the aesthetics of the universe had a Sisyphean hold on me. I owned many big books and encyclopedias about astronomy, where I was amazed by the way galaxies whirled and how bright and colourful nebulae always were. I looked at the planets on our solar system and learned their Roman names. Saturn’s rings, in particular, reminded me of a princess wearing her crown. And Jupiter – the king of all gods, isn’t he? – always looked pissed off to me.

I had lost that connection with astronomy as I grew up and nature – earth’s nature – took more of a hold on me. But by a personal Darwinian evolution I went from religiously watching David Attenborough documentaries to watching Professor Brian Cox. Attenborough’s natural heir. He re-kindled my infantile passion and sense of wonder at the great beyond. His Wonders series are a masterpiece in themselves. And when I feel that mixture of awe and curiosity the only way I can subdue that wonderful itch is to paint.

who is listening
Who’s Listening? Watercolours

You can learn more about my cosmic nature paintings here.

Cosmic Thoughts – Expression

No matter what medium you use to paint cosmic scenes – be it oils or watercolours in my case – they are full of inimitable expressiveness. Van Gogh painted his mythical night sky, Starry Night, using oils so thick it made the painting feel tactile. It’s as if Van Gogh was inviting you to touch that bright moon in a way you can’t in life. In watercolours, I find, the night sky feels more fluid. As if you can swim in the unreachable depths of space. As if the night sky is a free-flowing seascape. I don’t know what to choose, so I keep alternating between the two. Happily, may I add.

Swan Nebula Galaxy Watercolour Painting
Swan Nebula, Watercolours

You can learn more about my cosmic nature paintings here.

Cosmic Thoughts – Calm

Nothing is more calming than painting the night sky. A scene which is deceptively static yet full of unfathomable concerts of movement, death, rebirth and evolution. I was never one for meditating. Never followed the fad of yoga or Zen. Sometimes I feel guilty. But then I paint the night sky and I see those fads in a new perspective: they’re bullshit. All those stars, those long-dead supernovas of radiant colour, all the immeasurable galaxies, an ecosystem beyond imaging, a symphony of exo-planets possibly filled with life – all those thoughts inevitably go through your mind as you paint, and really, there is no greater joy.

Barn Owl Watercolour Painting
Waiting For Wings To Take On The City, Watercolours

You can learn more about my cosmic nature paintings here.