Nothing is more calming than painting the night sky. A scene which is deceptively static yet full of unfathomable concerts of movement, death, rebirth and evolution. I was never one for meditating. Never followed the fad of yoga or Zen. Sometimes I feel guilty. But then I paint the night sky and I see those fads in a new perspective: they’re bullshit. All those stars, those long-dead supernovas of radiant colour, all the immeasurable galaxies, an ecosystem beyond imaging, a symphony of exo-planets possibly filled with life – all those thoughts inevitably go through your mind as you paint, and really, there is no greater joy.
You can learn more about my cosmic nature paintings here.
Sometimes, we feel at home, and sometimes, we don’t.
For humans, home means many things. Home means the place where we were born, or the place where our parents lived. Home is the house that we built with hard labour and machines, or the one we simply opened the door to. Home can be a particular corner of a particular room; somewhere where one can feel familiar, safe, and content.
Shelter is one of our basic needs; like food and water, but very few of us in the world live in just a rudimentary shelter the way some animals do; not even isolated tribes and cultures that still maintain a ‘primitive’ hunter-gatherer existence. We create artefacts, paint our front doors, decorate and re-decorate, or, as in Malta, we give our homes unique and often times questionable combinations of the husband and wife’s name.
Like the bower bird’s flair for interior design to impress his mate, we too decorate our houses to show off our individuality, our ancestry, and to display our sexual and financial status. We choose unique artefacts that have symbolism only to us; we keep memories of childhood, of past and future. We show off our best and conceal our worst.
And of course, no home is complete without its lodgers!
I wonder if I’ll move from the house I’ve come to call my own for the last year and a half; the one I helped design and finance. The English in me says I will; we’re like Monarch butterflies, journeying over the generations (most often returning to the same place where we were born!), the restless in me says I’d like to travel and try homes in other countries. The artist in me says I must.
In the final of this three part blog I’ll be pondering on animal houses, and talking about the paintings that inspired these blogs.
As a child, and I confess even as an adult, it is the work of people such as David Attenborough and Jane Goodall that warm my south, and inspire me to believe that there is good in this world, and we are making positive steps towards change.
In the face of climate change, globalisation, war and overpopulation, animals are under greater threat than ever before. However, in 2017 we are in a better position than ever to protect and conserve them. Conservation has never been easier than it is in the 21st Century: we have social media, email, worldwide broadcasting and many other forms of media to share stories of struggling species, but also to share success stories and to encourage people and communities to work together.
For me, art is just an extension of this means to spread the word of conservation and its importance. David Attenborough and Jane Goodall, Richard Leakey and Peter Singer (to name just a few) each have their own unique platform, presenting to use conservation not necessarily through heart-wrenching images of suffering or tragic tales of failure, but through provoking in us a sense of awe, wonder and hope.
For me, art is conservation, Through paintings of rare and unique animal species and presenting them at exhibitions, showcasing them online and turning them into wonderful stationery and household products, wildlife is taking centre stage in a medium previously reserved for landscapes or religion. Beautiful paintings, just like those of Franz Marc, or those that I myself am painting, give us a unique insight into the world, and encourage us to care.
Through the promotion and sales of such paintings, we can also actively participate in conservation projects, through donating a percentage of sales and commissions to worthy conservation projects. It is your choice. This is why I paint, to inspire, to conserve.