Recently, I’ve varied in style quite a bit; I’ve painted some pretty abstracted works, a couple of portraits and peoples of varying ethnicities and generally limited the amount of animals featuring in my paintings.
So why is it one always feels so drawn back to that one particular style? Their one unique little niche in the art world that just keeps hanging around.
For me, it is my ‘Solutrean’ style paintings, named for the first painting created in that style: The Solutrean Expression. What started off as modern interpretation of the Lascaux cave‘s Panel of the Red Cow and Chinese Horse has developed into a bold and I hope original style that is able to express so many of my desires: conservation, protection and admiration of the natural world.
The Solutrean Expression – the signature piece.
This style, I feel, best incorporates the true values of nature; those unique aspects of those unique creatures, their movements, their unusual anatomy, or simply those unfortunate ones who are no longer on this planet.
Thylacine (Tasmanian Tiger) – The poor Tazzy Tiger, wrongly accused of killing sheep throughout New Zealand, and all too soon exterminated. The last Thylacine died in Hobart Zoo in 1936. (This painting is for sale. Enquiries may come to firstname.lastname@example.org)
The ‘Solutrean’ style can offer total colour freedom or can work for a limited palette, and so everytime the results are surprising, and the majority of the times a pleasant surprise. A rich blend of colour to me evokes vast emotions, both negative and positive in one fell swoop, and once you get to know each one’s unique story, this emotion is only heightened.
Symbiosis – The intricate relationship between one of Africa’s largest and most dangerous mammals, the Buffalo, and the humble oxpecker, dedicated to cleaning the ticks and parasites off these majestic beasts. (This painting is for sale. Enquiries may come to email@example.com)
Now tell me about your own style of art and what it means to you!